
Our daily interactions are filled with first impressions. Think of the strangers that you met earlier today, or that new pop song on the radio. Think of watching the auditions on American Idol, where you are encouraged to make a quick judgment on whether that person is worthy of additional attention. Most advertising is based upon first impressions. If they don’t catch your attention in the first few seconds, they don’t catch you at all. When we travel, much of the experience is based upon first impressions – the surroundings are different and novel. Wow, pretty! And, ooh shiny! That buzz and thrill. These are the reactions of a first impression.
Now, think about the photography that we’re exposed to in mass media. Calendars, National Geographic and travel shows. You’ll find many well done, eye catching images. These images are captured to give you a taste of what it would be like to be “there”, at the location of the image. A taste… a first impression.
First impressions are great and all, but they’re also only surface level interactions. So much of my busy, distracted life is surface level interactions.
A couple of days ago, I was out wandering around the woods with my camera. The location is one of my favorite places to photograph in the city, one that I’ve returned to many times. I was looking at the same tree for the twentieth time and thinking, what does it take to see beyond the first impression? What would I notice on the third and fourth impression?
When I first started photography, I was enamored with looking for new things. I would get up early to see the sunrise. I would stop and look at peeling paint. I would notice the patterns on a leaf. I took pictures of these things, but they were more documentary than anything. It was more to show that I noticed something, rather than, I got to know something. I thought I was seeing things in a new way, but all I had done was begin to look.
What type of images would you make, by the time you got to the fifth impression?


February 3rd, 2008 at 8:20 pm
[...] Andy Chen has an interesting post on first impressions and fifth impressions. [...]
March 19th, 2008 at 10:06 pm
(Was feeling a little bored and hadn’t visited your site for a while to catch up on the postings, etc. I always enjoy your observations and insights.)
I am curious about why this picture and this topic. Is it assumed that the cross made by the empty space in the center is obvious now when framed correctly, but the framing and therefore the recognition of the cross didn’t appear to you the first (2nd, 3rd, 4th) time around? While repeatedly studying the scenery at this place in search for interesting or striking subject matter did you eventually realize it had been there all along but you had simply missed it? Or is there something else you feel is now obvious to you but which may yet be too subtle for me see or grasp in my own “first impression”? [And am I committing an error of understanding here akin to asking a poet to provide an interpretation of his/her own poem?]
I hope all is going well.
March 20th, 2008 at 1:15 pm
[...] Concerning the image accompanying my post, Fifth Impression, my dear Uncle Chuck asks: I am curious about why this picture and this topic. Is it assumed that the cross made by the empty space in the center is obvious now when framed correctly, but the framing and therefore the recognition of the cross didn’t appear to you the first (2nd, 3rd, 4th) time around? While repeatedly studying the scenery at this place in search for interesting or striking subject matter did you eventually realize it had been there all along but you had simply missed it? Or is there something else you feel is now obvious to you but which may yet be too subtle for me see or grasp in my own “first impression”? The image choice was kindof arbitrary. You may notice that the Fifth Impression post was written in February, while the picture is of leaves in the fall. So, alas, the tree depicted is not the tree mentioned in the posting. [...]